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The rituals that led towards these songs are ones of pain and healing the power felt through the songs lies in the fact that the pain is never plainly stated, never a note of anguish or resentment, no complaints about the feeling of pain. Back of the immediate image of Royal Desire is an ocean of esoteric pain. Strange things were happening in a dreamlike way: experiencing a silent New Orleans, holding a live possum by its tail, taking an afternoon off so a forty person crew could enter our studio and film a hip hop video.Д«uck has described the songs on Two Saviors as talismans. We tended to rearrange ourselves when things felt too comfortable. Maybe four of the songs had been in the live rotation, but generally the performances were unrehearsed and the band was hearing many of the songs for the first time. Space, time, microphones, channels, takes. The limitations came in a number of forms. After siesta, we would record for a few more hours, again more-or-less playing down the list of songs. Recording equipment does not like extreme heat and we thought it important to maintain solidarity. We would then take a siesta for up to seven hours, until it started to cool off.

In the morning we would have our breakfast, then record for a maximum of three hours, often much less most sessions consisted of each song played one time. The recording process was an exercise in ritual and limitation. I think that BuckвЂ™s songs allowed us to go there, to get confused, get lost, get distracted by the weirdness of the stories.

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Everyone knows how to play and still we were able to get very uncomfortable. Everyone who was involved in making it are at points on their respective paths where much is Known and skill-confidence is granted. Also, I have yet to find a straight line or a right angle in the whole thing. There is almost no room for certainty on this album, which I consider a triumph. Though, maybe it is just distracting from the deeper picture.

It is the first image one sees in the cloud, the most obvious one, and seems to say something meaningful about the music. Trying to conjure an example of Royal Desire makes me nervous. We made this album in the Bywater neighborhood of New Orleans during the summertime, and it was hot, and the house we recorded in was a mansion, and it was on the corner of Royal and Desire. Think about the Texas flag one red stripe, one white stripe, a field of blue and the lone star- the base unit of the American formula. It is the hidden point of dilation that makes all of these songs cohere, gel, carbonate.

The record was made in Louisiana, but it is important to start with Texas. It is an uncommon word, with a beautiful sound, and serves as an apt guide through these new songs of BuckвЂ™s, which are themselves uncommon and beautiful, and which invite a deep, cloud-gaze state of attention. вЂњThe first word on Buck MeekвЂ™s new record, Two Saviors, is вЂpareidolia.вЂ™ It is a word about recognizing shapes where none were intended to exist- like searching for images in the clouds. The band, featuring Adam Brisbin (guitar), Mat Davidson (bass, pedal steel, fiddle), Austin Vaughn (drums), and BuckвЂ™s brother Dylan Meek (piano, organ), set up in a Victorian house one block from the Mississippi River and worked within these limitations, encouraging every recording to be imbued with the living, intuitive, and human energy of a first take.ДЄccording to Mat Davidson (of Twain / bass, pedal steel, fiddle, & vocals on Two Saviors ):

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Producer and engineer Andrew Sarlo (who produced the first four Big Thief LPs, all of Nick HakimвЂ™s LPs, and contributed as a co-producer on Bon IverвЂ™s i,i ) agreed to record Buck MeekвЂ™s second full length LP, Two Saviors, under his conditions that they make the album in New Orleans during the hottest part of the year, spend no more than seven days tracking, all live on an 8-track tape machine with only dynamic microphones and no headphones, not allowing the players to hear back any takes until the final day. вЂњWriting these songs was a process of creating talismans- little prayers and visions from within the constant flux of pain, healing, and discovery that I could return to for perspective and share with those in need.вЂќ - Buck Meek

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